Відео

rec 2020 apple log> rec 709 gamma 2.4

Its not allowing me to access the camera raw tab. So I wasn't able to follow completely.

TAFT POINT!!! AWWW MAN!!!

Why this camera didn't have true 24 frames per second

Hey Sidney, great stuff as always, specific question for you. I can’t seem to set up the banks separately for video and photo, specifically the shooting mode (P,A,S,M). If I have bank A set up for Aperture priority for photo, when I switch to video, bank A is in aperture priority for video. If I switch back to M, then both photo and video for bank a goes to M. Can I completely separate these banks for photo and video?

whats the memory card use to record raw video in nikon ???

Just a small note, that you or others might find interesting: the Nikkor Z85/1.2 is THE heaviest of all lenses regardless of brand, then again it does NOT weigh 1.730g (your video @ 3'09s) but 1.160grams. ;-)

Good info. Thanks for this.

would be nice to see what you get out the Z6iii, surprised Nikon did not send you one to test!

Great video Sidney! I just want to confirm. Did you state that the Z8 has false color?

Nikon cinema glass? What?!

Hey, interesting video. I would say that the common approach when shooting log is to expose to the right. I know that because of photography some people have the tendency to expose to the left (even if even there some people debate) but if you look at the nlog curve specifications and how it saves data exposing towards the right makes sense. Without burning the highlights of course

The depth, perspective and relevance of this explanation for a z9 shooter was incredibly helpful. Have come to a few similar conclusions, but was helped by the clear, concise reinforcement and new information. You hit a home run IMO.

Nice video, do you know where to get DAVINCI 18 TITLES? thank you

Hello Sidney, what is your preferred audio setup for doing documentary style of shoots? And speaking of audio, what is the easiest way to record environmental audio when you're shooting at 120fps in case you want to add it to your clip over say music? Thanks, amazing content!

I have one question. If i shoot 12 bit raw in sdr and switch it to rec 2020 - nikon log in the raw panel of resolve And If i shoot 12 bit nraw, n log in camera and use it as n log in resolve What is the difference between the two two methods? Are the colours exactly the same or are they different?

Really nice video man, it is the first time i see one of your videos🇦🇷

Great video and appreciate the work. Again better than Nikons video guids!!😊

Beautiful video one thing I would just buy a monitor that can use EL zone instead of false colors! Once you learn EL zone and what that is for cinematography, there is no going back. It’s just so much more accurate than false colors.

I dont like how the nlog view assist shows nraw/nlog…for the cleanest results i need to ettr hard, but then the view assisted image looks absolutely ridiculously overexposed…but in post it comes out perfect (eg seemingly „white blown out skintones“ turn to perfect smooth hl-rolloff)…would love to see custom luts…

If you are in a high contrast scenario that is pushing your z8 past its limits, would you typically choose to protect the highlights at all cost, or lose some info in exchange for cleaner shadows? I run into this occasionally, and typically I protect and then clean up, but curious your thoughts

I have a few 8K 60fps shot in N-raw & N-log and Delivered in HDR, check it out and let me know what you think.

Merci beaucoup pour cette vidéo, je l'attendais depuis un moment !! Je suis ta chaîne depuis un moment !! Salutation depuis l'île de la Réunion !

Very helpful video, Sidney. I am glad to see that Nikon included waveforms (apparently they added them to the Z6 III as well), but continue to be baffled by NOT using IRE values for the zebras. Also, just for a slightly different take regarding expousre... my understanding is that N-RAW / N-LOG clean up very well when using noise reduction in Resolve, so if the highlights / brights ARE important, it might be worthwhile to exposre more "normally" and later on just "fix it in post." Another suggestion is that possibly on the Z8 / Z9 / Z6 III, it might not be best to use JUST the base ISOs of 800 and 4000. I know on Panasonic full frame cameras, which have similar base ISOs of 800 and 4000 for V-LOG profiles, the noise is lower and dynamic range is better at up to about ISO 1600 than it is at ISO 4000. So ISO is only better at ISO 4000 than ISO 2000, 2500, and ISO 3200. I confirmed this with Sean Robinson of Lumix marketing and he said (paraphrasing here) that the main reason for having a seond native ISO is so that HIGHER ISOs than 4000 are not so far away from a native ISO that they become riddled with noise. So I would suggest everyone test their cameras to see if it makes sense to jump from ISO 800 to ISO 4000 instead of using ISOs values between, say, ISO 800 and ISO 2000. Slightly off topic: One Sony feature that I am envious of is the Cine EI exposure tools. My understanding is that if you overexpose S-LOG3 (as cinematographers often do in order to lower noise levels), the EI will allow you to PREVIEW what the footage will look like once you bring the levels down in post. Also, I believe it writes metadata in the footage that tells (certain) editing programs what the "proper" exposure is supposed to be. (That might only work with something like Sony catalyst though... not sure if Resolve reads the EI metadata or not). Anyway, it would be a good feature for all cameras to have.

Love the video

Great! Thanks for this very helpful information. Can you please also share your best NLOG grading method in Davinci? Do you use Color Space Transform? Cheers!

I am more modern glass person. I have a question for you record video internally or externally? Also do you consider the internal recording limit an issue?

Are you a modern glass or vintage glass kind of person?

Just the info I was looking for. Thanks!

New to making videos. I shoot with an fx30 iPhone 15 and DJI mini 3 I’d like to shoot raw/log and want it to be easy as possible. Would I use cinematch to match the 3 different cameras and then could I use premiere’s Ai/auto color grade feature on top of cinematch? Or is this redundant/not necessary?

Great video! There is a way to turn off ABL?

Thank you so much. This is so inspiring. Thank you for taking your time to give out these tips 🙏🏿💯💯

Nice tutorial. Im curious, why key when there are other non destructive ways to adjust skin ? Seems like it could cause a problem down the line working like thus if you have more than one clip. Loved the information about the subtle hues in log wheels. ,🤘

Mr. What camera you use to film on UA-cam? Thanks sir.

great information, thank you.

Sometimes, I miss the nostalgia of editing in Premiere Pro. When I first got into video editing in 2012, I was all about the Adobe Suite. However, when I started really focusing on Color, I realized just how much I was losing out when it comes to color management and the color tools. CineMatch doesn't solve every issue that I have in Premiere Pro, but it solves a lot of them. It's a great tool to use in combination with whatever you're using in your workflow in Premier Pro.

Thanx!

I love the colors of this video on UA-cam, what's camera you use?

Remember to not shoot in Nikon NRAW at 4.1k 24p as there is still something wrong with it. 4.1k 50/60 and 4.1k 120 work great. 4.1k 24 has something going on that still hasnt been fixed for almost 1 and a half years so it' sbest to say it may never be fixed so avoid it. I use 8k RAW and downscale it to 4k but I have 10 x 4tb CF Express cards so space is no issue but I also use PRORESS 422 HQ often and it's fantastic (I avoid proress raw) I use my z9 along with my RED V Raptor and the 8k matches incredible well with it with little hassle in post and the 4k oversampled proress hq 60fps is absolutely incredible. I film some pretty big stuff for the UFC and big wave surfers and everything I have delivered using the RED and Nikon combo only gets compliments. Now if I could have 16 stops of usable DR in a body the size of a z6iii I will be a happy man becasue filming with the V Raptor XL and z9 in water housing is a right pain!

Great edit. Great work. Love the colors and contrast.

So, it would be good to show how to expose n log correctly in camera for people who dont use a monitor or are run and gunning at say a wedding or events.

Whats the adapater for the z8? Btw love your videos

my color space and gamma is still greyed out after I followed your instructions... what could I be doing wrong? Thank

Thanks Sidney . I complain about the blue issue since day one of N-RAW. Contacted even Tico Raw, but no one wants to listen. It's all exactly as you describe. It's such a shame, because N-Raw is otherwise so amazing.

Amazin👏👏🔥 what codec used it? N Raw? External o internal

I’m saying someone at Sony or Canon he’s paying Davinci Resolve team to mess things up for users to leave Nikon

Thanks for digging into this!

The Leading voice for the Nraw community, thanks for your expertise 👍

Thanks for making videos on NRAW, your videos are very educative and they help people like me a lot who dont have any prior experience in handing raw video, colour spaces and gamma.

What are the best focus settings